![]() The area hosts dozens of native languages, but the most common here is Drehu, a beautiful, vowel-rich, and flowing tongue that’s fascinating to listen to, even though I don’t speak a word. Lifou is a cultural hub for the native Kanak culture, a refuge from the more urbanized mainland of New Caledonia. ![]() While the native people don’t appear to be living affluently, there’s a clear sense of community, interconnection, and shared joy in living intimately within a bountiful nature while relying on one another. You wouldn’t call Lifou heavily developed. Scattered family homes represent breaks in the wilderness, a carving back of the trees, often creating a set of small, interconnected, covered spaces for dining and sitting, set alongside sturdy conical traditional huts, sometimes with small modern buildings nearby. Pedestrians wave in a friendly manner from the street sides. The roads here are tight and often covered in dirt the jungle encroaches close on each side. ![]() Even with elements of magic and wonder, it’s a game that feels rooted in a real place and authentic people.Īfter arriving on Lifou Island, I join members of the Awaceb development team in their rental cars as they venture deeper into the island. It’s a frequently quieter game punctuated by moments of childlike whimsy and action – diving from a cliffside into seawater far below or tumbling headlong down a hill at breakneck speeds. At the same time, after diving into hands-on time with the game, it’s clear that Tchia’s journey of discovery also veers from Link’s adventures in Hyrule in crucial ways.
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